Are you prepared to delve into the macabre world where art and extremity collide? Cannibal Corpse, the notorious death metal band, has not only redefined the boundaries of music but has also etched a permanent mark on the visual landscape of heavy metal, a legacy so potent that their album covers are often as talked about as the music itself.
For decades, the band's album art, a grotesque tapestry of zombies, necrophilia, and graphic violence, has sparked both fascination and fierce debate. These covers aren't merely images; they are reflections of the band's uncompromising artistic vision, challenging societal norms and pushing the limits of what's considered acceptable. Articles butchered, banned & bloody: Cannibal Corpse and the battle for extreme album art they weren't just a band, they were a bloody Rorschach test, where their album covers became notorious battlegrounds in the fight over artistic freedom and societal boundaries. They are a testament to the power of art to shock, provoke, and, ultimately, leave an indelible impact on those who dare to look.
| Attribute | Details |
|---|---|
| Band Name | Cannibal Corpse |
| Genre | Death Metal |
| Known For | Provocative Album Covers and Brutal Music |
| Formed | Buffalo, New York, United States (1988) |
| Notable Members |
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| Discography Highlights |
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| Cover Art Style | Graphic, Visceral, Often Controversial, Depicting Violence, Gore, and Macabre Themes |
| Artist Partnership | Vincent Locke (Key Collaborator) |
| Impact | Significant influence on extreme metal aesthetics and a constant source of debate regarding artistic freedom |
| Controversies | Album covers have often faced censorship and bans due to their graphic content. |
| Website Link | Metal Blade Records (Official Website) |
Cannibal Corpses album covers, a grotesque mix of zombies, necrophilia, and horrific violence, have become notorious battlegrounds in the fight over artistic freedom and societal boundaries. The band is just as known for their provocative album covers as they are for their music, and their album art has long been a subject of fascination and controversy in the world of heavy metal music. Known for their extreme imagery and graphic depictions of violence, the band has consistently pushed the boundaries of artistic expression. The artwork is a testament to the power of art to shock, provoke, and, ultimately, leave an indelible impact on those who dare to look. Due to our intense masochism, we've ranked every Cannibal Corpse album cover based on how long we cried in the shower after seeing it.
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Take, for instance, "The Bleeding," released on April 12, 1994, through Metal Blade Records. This fourth studio album marked the end of an era, being the last to feature singer and founding member Chris Barnes, and the beginning of a new chapter with guitarist Rob Barrett. Then there's "Kill," the tenth studio album, unleashed on March 21, 2006. This release signaled the return of Rob Barrett, who had previously lent his talents to "The Bleeding" and "Vile." It is literally the most straightforward Corpse cover ever.
Instead of writing a dissertation on their impact, we're here to dive deep into the artistic makings of "Violence Unimagined," the fifteenth studio album by American death metal band Cannibal Corpse, released on April 16, 2021. A towering visual legacy and, with this new album on the way, drummer Paul Mazurkiewicz named the single most disgusting album cover in a ranked list. The artwork we've all seen for the upcoming album is, in fact, the censored cover. You can see the real artwork on Metal Blade's YouTube page. If you haven't seen it yet, you're missing out. It's the most disgusting album cover since "Butchered at Birth."
Vince Locke has been creating published illustrative art for over 30 years. He has partnered with Cannibal Corpse for many of their iconic and controversial album covers. "Gallery of Suicide," released on April 21, 1998, through Metal Blade Records, is a prime example. It is the first Cannibal Corpse album to feature former Nevermore guitarist Pat O'Brien. The Wretched Spawn is the ninth studio album by American death metal band Cannibal Corpse. It was released on February 24, 2004, by Metal Blade Records, with cover art by Vincent Locke. Observant Cannibal Corpse fans will notice that the cover art, drawn by the usual artist Vincent Locke, draws from the themes and features characters from previous Cannibal Corpse albums.
Cannibal Corpse album covers are iconic in the world of extreme metal. Known for their graphic, visceral, and often controversial imagery, these album covers have become synonymous with the band's brutal sound and uncompromising artistic vision. The other sketches are just concept art for the official cover. Heaviest of art caught up with Cannibal Corpse drummer Paul Mazurkiewicz and artist Vince Locke to discuss the artwork for the bands new album, "Violence Unimagined," and to reflect on the decades of an iconic partnership. It is the band's first album in nearly four years since "Red Before Black" (2017), the longest gap between two records in Cannibal Corpse's career, and the first studio album to feature producer Erik Rutan on lead guitar, replacing Pat O'Brien in February 2021 after. I love how the artwork and the titles aren't that explicit, and to an unsuspecting listener, it seems like just a run-of-the-mill death metal album. However, it is anything but. The cover art contains demons and skeletons placed in windows in a castle surrounded by a moat of blood.
The album "Violence Unimagined" is a testament to the band's continued commitment to pushing the boundaries of their art. The release of this album gives a great opportunity for fans to pick up a copy now. Many art is included in the release. You can get prints of the cover art here.
